and by Kiyoshi Sugimoto, the master of the era. Since turning professional in 1960, Kiyoshi Sugimoto has been active in many sessions and recordings. From the latter half of the 1960s, he joined groups such as Hideo Shiraki, Akira Ishikawa, and Terumasa Hino, gaining attention and solidifying his position with leader works such as "Country Dream" and"> and by Kiyoshi Sugimoto, the master of the era. Since turning professional in 1960, Kiyoshi Sugimoto has been active in many sessions and recordings. From the latter half of the 1960s, he joined groups such as Hideo Shiraki, Akira Ishikawa, and Terumasa Hino, gaining attention and solidifying his position with leader works such as "Country Dream" and"> and by Kiyoshi Sugimoto, the master of the era. Since turning professional in 1960, Kiyoshi Sugimoto has been active in many sessions and recordings. From the latter half of the 1960s, he joined groups such as Hideo Shiraki, Akira Ishikawa, and Terumasa Hino, gaining attention and solidifying his position with leader works such as "Country Dream" and"> 杉本喜代志 Kiyoshi Sugimoto - Our Time Artist_The Crazy World Of Arthur Brown which also featured Antibalas on – www.hermes-technologie.de

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杉本喜代志 Kiyoshi Sugimoto - Our Time Artist_The Crazy World Of Arthur Brown which also featured Antibalas on

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which also featured Antibalas on a reimagining of the Donald Byrd classic 'Think Twice'

Lee Fields & The Expressions have forged a distinct soulful sound and a grown style with this album

crunchy distortion

A rare groove masterpiece with a soulful arrangement throughout

‘Time Out’ was released in 1959 and would forever alter the way jazz was conceived by both critics and the mainstream

杉本喜代志 Kiyoshi Sugimoto - Our Time Artist_The Crazy World Of Arthur Brown which also featured Antibalas on"Colorful, powerful and elegant. A watershed masterpiece that embraces <before then> and <after that> by Kiyoshi Sugimoto, the master of the era. Since turning professional in 1960, Kiyoshi Sugimoto has been active in many sessions and recordings. From the latter half of the 1960s, he joined groups such as Hideo Shiraki, Akira Ishikawa, and Terumasa Hino, gaining attention and solidifying his position with leader works such as "Country Dream" and

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