Bill Evans (Piano): At The Montreux Jazz Festival (200g) (Limited Edition) (45 RPM) 2-LP Isolation/Antivibration Dimitri Mitropoulos puts this one

Dimitri Mitropoulos puts this one in the reference class

As has been mentioned many times elsewhere

recorded with respect and absolute And absolute devotion

The suites of the 19th century

Use of pure Tellurium copper to reduce inductive reactance

Bill Evans (Piano): At The Montreux Jazz Festival (200g) (Limited Edition) (45 RPM) 2-LP Isolation/Antivibration Dimitri Mitropoulos puts this oneLabel: Acoustic Sounds, 1968 Bill's performance was one of the best I've ever heard from him. He and Eddie Gomez played with more aggressive verve than ever before; more exuberance, more joy. The brooding, introspective side of Bill's music is well represented on the records. The lighter side has been too little heard, but it's here in this album. Bill Evans (p); Eddie Gomez (b); Jack DeJohnette (dr) As has been mentioned many times elsewhere, this