Rooms We Made Safe pierre-louis-carlier psychologiques et émotionnelles qui divergent

psychologiques et émotionnelles qui divergent des discours normatifs et des schémas de vie imposés

dont l’intention est pleinement documentaire et la teneur clairement factuelle

grâce à la superposition des images

le trafic d'armes et le racket de protection

à la fois gardienne de livres et conservatrice d'idées

Rooms We Made Safe pierre-louis-carlier psychologiques et émotionnelles qui divergentMichella Bredahl grew up in a social housing district on the outskirts of Copenhagen with her single mother and her younger sister. At a young age the two sisters were confronted with their mother's addiction, which had a deep impact on them. In "Rooms We Made Safe" Bredahl revisits the terrain of her youth, once a dangerous space, and reimagines it as a powerful artistic expression. Like the writer's pen, the turns her camera into a powerful